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A sound and spoken word multimedia collaborative project. Now Here | Nowhere A cross-artistic project that amalgamates sounds, spoken word and visuals, centring around the common terrain of the human and natural world, memory, time, love and lie/truth cycles. Now Here | Nowhere is a spoken word and music performance that takes on the shape of a personal journey, performed by three artists, three separate worlds that open up to each other to create emotional and artistic overlaps that centre around the common terrain of the human and natural world, memory, time, love and lie/truth cycles. The project is a product of reflections and resonances that stem and vibrate from the words of poet Giulia Privitelli. Renzo Spiteri, the project’s creative director, placed himself in between the poet’s poignant, powerful words and his personal interpretation of being lost in a ‘homeland’ that is no longer recognisable. Giulia writes that ‘words collide and break into letters, lines and dots, grains that ebb away’. So, beyond words, what are we left with? Through Now Here | Nowhere, Renzo sought to create a sonic world of spoken words and sounds to draw imagined places that exist in between light and darkness, in between life and death, in between hope and fear, in between sea and land. Audience Feedback “A huge well done once again to everyone... the performance was beautiful, touching and so inspiring.” "A performance from the heart of the Earth. Thanks to you all for the special moments put together so beautifully." "I saw your concert yesterday or I should rather say I experienced it. I just want to thank you for it. It was amazing! As a dancer and choreographer automatically I imagine movement to your piece and I am absolutely inspired by your work." “Experiencing you play has always been like watching an alchemist do his magic.” “Renzo with your experience and sensitivity I believe that your work can surely capture any one and take them into deeper realms; it took me to similar places yesterday but on a lighter level ... but still managed to capture me and show me certain truths and realities ... good or bad that is not the matter.” Photos: Lisa Attard shot at Valletta Campus Theatre (Malta) Project type Sound & spoken word Created by Sounds and percussion: Renzo Spiteri Guitar: Fabrizio Fedele Spoken word: Erica Muscat Text: Giulia Privitelli from Walking in Circles Visuals & light design: Renzo Spiteri Concept, artistic direction and creative production by Renzo Spiteri. 2019, Malta Acknowledgements The creation and launch of Now Here | Nowhere was supported by Arts Council Malta - Multi-Annual Support Grant (Malta Arts Fund). Events Premiere performance: May 2019, Vallletta Campus Theatre, Valletta (Malta).

Privacy Notice & Cookie Policy Renzo Spiteri commits to using any personal data that you give to us responsibly and in accordance with all applicable laws and data privacy regulation. This privacy notice offers information about when and why we collect your information, how we use it (whether online, via telephone, email, in letters or in any other correspondence or from third parties) and how we keep it secure. We commit to: - Respect your contact data - Store it securely - Never share it with anyone else - Delete it when you ask us to - Won’t contact you if you ask us not to. Who we are Sound Migrations is a website dedicated to documenting Renzo Spiteri's on-going journey, practice and work as a sound recordist, sound artist and sound designer. Renzo Spiteri is registered as a sole trader in the European Union and the UK. He is a musician, composer and sound artist who is active on an international level and works across a diverse range of artistic genres and collaborates with various artists and creatives from around the world. This privacy notice covers the work of Renzo Spiteri, not of other individuals who might be engaged or contracted to work with him. How we collect information Information is collected under the following circumstances: - Information you give to us when you decide to interact with us such as: Purchasing tickets/merchandise/gift vouchers/memberships/services online, in person or over the phone Subscribing to our mailing lists or other marketing communications Engaging with our social media and taking part in competitions Becoming our supporter Providing information via surveys Through personal contact - Information we get from publicly available sources - Information we get from your use of our website and services. We collect information about the services you use and how you use them, for instance when you watch our videos on YouTube, visit our website or view and interact with our digital advertising and website or social media content. We, like all organisations, are able to confirm what browser you are using, IP address and computer operating systems that are being used and this information may be used to improve the services we offer. What information we collect Depending on the nature of your relationship with us, we may collect from you, either directly or indirectly, some or all of the following information: - Biographical – name - Contact details – postal address, email address, phone number - Current interests and preferences - Access requirement - Occupation and professional activities - Record of donations or payments (payment for tickets and regular donations are managed through a third party – bank account details are never retained by us) - Attendance at events We will only collect this information when there is a legitimate reason for doing so. Why we collect your information We only collect the information that’s necessary to carry out our business, to provide the particular service you’ve requested and to keep you informed. All personal data collected is in a professional capacity and is treated as such. We hold and process personal data for a number of reasons: - To send you marketing information about our latest activities, news and opportunities, where we have your consent or are otherwise allowed to do this; - To accept registrations for projects and initiatives or to take part in other activities for which we would require personal information to register your interest; - To provide and manage a service that you have requested, such as attendance at free and charged events; - To issue invitations to our events - For administrative purposes (for example, relating to your participation in a project or to contact you if we need to obtain or provide additional information); - To analyse and improve the content and operation of our website and our internal processes; - To understand who our audience is to improve our services; - To tailor communications presented to you and to other people who may have similar interests or other characteristics to yours on the internet according to your interests, preferences and other characteristics (as described below); - To ensure we do not send unwanted information to individuals who have informed us they do not wish to be contacted. - To identify potential donors and sources of funding for, our activities and projects. The legal basis for collecting and using your personal information When we collect and use your personal information, we will make sure this is only done accordance with at least one of the legal grounds available to us under the General Data Protection Regulation (GDPR) as follows: - you have given your consent for us to use your information for a previously notified purpose, such as to send you email marketing messages; - we need it to fulfil a contract, such as ticket purchase, to deliver a product, service or information that you have requested; - we need it to pursue our legitimate interests such as by communicating with current and potential supporters. When we are organising an event, looking for new partners, seeking advice, and generally carrying out our work, we will be using all the research tools at our disposal to approach relevant new contacts previously unknown to us. We undertake to do this in a professional manner and to treat that business data with the same security and care as we do with all data that we hold. In all cases, we are careful to balance our legitimate interests against your rights as an individual and ensure that we only use your personal information in a way or for a purpose that you would reasonably expect in accordance with this policy, and that does not intrude on your privacy or previously-expressed marketing preferences. How we handle your information and other organisations We will never share, sell, rent or trade your personal information to any third parties, unless we are required to through a legal process. Some of our service providers may have access to your data in order to perform services on our behalf - payment processing is a good example of this. We make sure, as far as we are able, that anyone who provides a service for us meets GDPR standards for data security. Other websites We cannot be held responsible for the privacy of any data collected by websites not owned or managed by us, including those linked through our website. We use third party websites such as Mailchimp, Survey Monkey, Google and Dropbox and we encourage you to read their own privacy policies. How long will we keep your information? We will retain your information for as long as you have an active relationship with us. If you cease to have an active relationship with us or request to receive no further contact, we will retain only the basic information required in order to avoid sending you unwanted materials in the future and to ensure that we don’t accidentally duplicate information. This skeleton record will show us that we have complied with your wishes. There may be other reasons that we cannot completely comply with your request such as recording a purchase, but we will fully disclose why this is. Will we use your social media data? We may use the personal data you share with us to match to your account on Facebook, Instagram or other social media sites in order to show you our content while you are using these services. Your personal data is kept secure at all times. We may also use your email address and phone number to link to Facebook or other social media sites in order to identify other users of these sites who we believe would be interested in our work, and we may then show them content related to our work. Information on how to stop this use of your data is given by each of the individual social media platforms in your user preferences. Photography and film We use photography and film at events to promote our activities, build new audiences and report to funders. These images may be used on our website, social media channels and in written reports. Any events being photographed will be clearly signposted to make the public aware. Public may request not to be photographed. We will seek parental consent to take photographs of children and young people under the age of 18. How to stop or change how we communicate with you If at any time you wish to stop or change how we communicate with you, or update the information we hold, please contact us using the contact details below. You can opt out of our email newsletters by clicking on the unsubscribe link at the bottom of all email newsletters. We want to make sure that the personal information we hold for you is accurate and up to date. If your contact details have changed or you think any information we have about you is incorrect or incomplete, you can update or correct the information we hold about you by contacting us using the contact details below. Access to your personal information You have the right to request a copy of the information that we hold about you. If you would like a copy of some or all of your personal information, please contact us using the contact details below. Cookies - what they are and how we use them The website 'Sound Migrations' uses cookies, which are small text files which your web browser transfers to your device (computer, smartphone etc.) when you visit a website. Every time you go back to that website, your browser will send the cookie file back to the website’s server. Cookies are widely used in order to make websites work, or to work more efficiently, as well as providing information to the owners of the site. They improve your experience of using a website, for example, by remembering your preference settings and by measuring your use of a website to ensure that it meets your needs. Cookies can also be used to show you relevant content from us on social media services such as Facebook – these are known as ‘retargeting’ or ‘advertising’ cookies. Like many websites, we use cookies to help us monitor your use of our website. These cookies are used by Google Analytics and we encourage you to read more about Google's privacy policy. How we protect your privacy We do not engage in marketing or advertising practices using cookies which identify you and we never share personally identifiable information with those outside of our business. We share website usage information with Google Analytics. Disclosure of your information We may disclose information in special cases when we have reason to believe that disclosing this information is: - reasonably necessary to comply with the law - necessary to protect our rights and those of our users How you can manage your privacy Although using cookies helps us to improve our site, you do not need to accept our cookies in order to access our website. The majority of web browsers allow some control of cookies, allowing you to remove cookies from your browser and to set your browser not to accept cookies. Find out how to change cookie settings in your browser. Updates and changes to this privacy policy We may update this policy at any time to account changes at our organisation or, for example, to reflect changes to regulation or legislation, so please do check it from time to time. We will update the top of the privacy policy with a 'last updated' date after every change to the policy. Contacting us If you have any questions about this privacy policy, this website or the services we provide to you, you can contact us at: E: contact [at] renzospiteri.com

Work as sound recordist for the award-winning National Geographic film, Billy & Molly: An Otter Love Story (2023) Billy & Molly: An Otter Love Story Project info When a wild otter in desperate need of help washes up on his jetty in the remote Scottish islands of Shetland, Billy, his wife Susan, and their devoted sheepdog Jade find themselves with a unique new member of their family. From National Geographic and Silverback Films, “Billy & Molly: An Otter Love Story” is a heart-warming story directed by Charlie Hamilton James and shot in 4K. Role in project Sound recordist Awards for sound Renzo Spiteri, Winner: 2025 Royal Television Society Craft and Design Award (Sound- Non-Scripted) Renzo Spiteri, Nominee: 2025 News and Documentary Emmy® Award (Outstanding Sound - Documentary) Produced by Silverback Films for National Geographic and Disney+, 2023 Video ©: Royal Television Society Sound - Non-Scripted Winner: 2025 Royal Television Society Craft and Design Award Sound - Non-scripted WINNER - Kate Hopkins, Graham Wild, Renzo Spiteri, Paul Ackerman & Ellie Bowler Billy & Molly: An Otter Love Story Silverback Films for National Geographic and Disney+ "The sound design was magical, helping to keep you truly in the moment. The sounds were gentle and subtle and challenging to capture, yet everything came through with authenticity, clarity and beauty. This was a sound recordist's dream of a project and that delight comes across in the work." Nominees: Gary Kelly, Michal Maletz & Daniel Nolan Buy Now! The Shopping Conspiracy Grain Media for Netflix Gerrit Swanepoel, Jay Price, Tom Foster, Maggy Apodaca & Sound Team Surviving Black Hawk Down Ridley Scott Associates for Netfix Outstanding Sound - Documentary Nominee: 2025 News and Documentary Emmy® Award Behind the scenes... Recording during peat cutting Recording during Up Helly Aa 2023 Chatting at the end of a long day! Recording during peat cutting 1/7 1/1

Storytelling and music performance inspired by the myth, magic and mystery of stories written and told in Nordic region. Nordic Nights Nordic Nights is an immersive storytelling and musical experience myth and music intertwine, where the flicker of northern lights illuminates ancient tales, and where the echoes of the sea and the wind shape stories that have stood the test of time. Inspired by the mystery, magic, and rugged beauty of the northern landscapes, Nordic Nights weaves together spoken word and live music in an evocative performance that celebrates Scotland’s rich storytelling heritage. Drawing from Nordic and Scottish folklore, this performance brings to life tales of witches and robbers, ghosts and seafarers, light and darkness - all infused with the wild spirit of the natural world. Renzo’s captivating soundscapes, blending percussion and atmospheric textures, enhance Jan’s spellbinding storytelling, transporting audiences to windswept shores, starlit skies and northern lights. Together, they create a deeply engaging and unforgettable journey, inviting listeners to soar into the skies and plunge into the depths of the sea, carried by stories of trickery, wonder, and hope. "Wonderful! Thank you." "I really enjoyed the immersive sounds that transported the words around the room in a warm manner." "Mesmerizing- thank you so very much." Photos: Gaby Giacchino shot at Bigton (Shetland). Project type Music & storytelling Created by Stories: Jan Bee Brown, Hilde Eskilde Music: Renzo Spiteri Performed by: Jan Bee Brown and Renzo Spiteri Acknowledgements Nordic Nights was presented in Shetland to celebrate 2022 as Scotland’s Year of Stories, delivered by Curious Pilgrims as part of its Reconnect! Programme supported by the Communities Mental Health and Wellbeing Fund, with additional support from Shetland Arts. Events Nordic Nights was presented between February and March 2022 at various locations across Shetland, including Hoswick, Bigton and Hillswick.

A participatory arts project that invited the contribution of people to share their life experiences in The Shetland Islands during the challenging pandemic period. Community Voices Memories & Stories of Island People At the height of the COVID pandemic, the world became acutely aware that social restrictions were affecting people in different ways, and there were cases in which people were not feeling or experiencing the support within a community environment. Between November 2020 and February 2021, we devised a project through which people in The Shetland Islands could share life experiences of the pandemic and post-lockdown period. The result of this process was the creation and launch of the participatory arts project Community Voices: Memories and Stories of Island People. Through an open call for participation, people of all ages and from diverse backgrounds were invited to submit first-hand narratives of their lives, stories and perceptions in creative ways, through spoken word, audio recordings, visual arts and writing. Lived experiences are a powerful way of communication and Community Voices was intended to act as a platform through which people could portray the social and emotional effects brought about as a result of the pandemic. People were invited to use the following questions as a point of departure: ~ What losses and gains have you experienced and felt the most? ~ Remoteness, rurality, isolation, loneliness, community, resilience. How do any or all of these words resonate with you in light of your life experience during the pandemic period? ~ Do you have a memory that is particularly related to the pandemic period? The resultant contributions were curated and edited by Renzo Spiteri to produce a 22-minute docufilm. Through the use of words, animation and film, Community Voices unveiled personal perspectives of pandemic and post-lockdown community resilience and human connection. Viewers of the docufilm discover a greater consciousness and awareness of these lived experiences that will resonate with different viewers in different ways. The docufilm, which is specific to Shetland, also acts as a memorial that preserves a moment in time during an exceptional event in recent history, and delivers a strong message of hope for the future and of new beginnings. In January 2023, this project was one of 36 projects across the UK and Ireland to be shortlisted for Creative Lives Awards 2022. "What an amazing collection of voices, music and image." Project type Participatory Arts Contributors Melvyn Heath, Katrina Christie Loynd, Alex Purbrick, Claire Davenport, Heather Christie, Colin Smith, Michele Simms, Yolanda Bruce. Additional music & video; video editing: Renzo Spiteri Acknowledgements Community voices was delivered by Curious Pilgrims and supported by The Prince of Wales's Charitable Fund. Awards Shortlisted: Creative Lives Awards 2022 (UK) Events Docufilm launched 1st May 2022.

From A Silence Within merges music, and selected field and hydrophone recordings, gleaned from Noss and Noss Sound in Shetland. From A Silence Within My work explores the inter-relationship between silence, the spatiality of nature’s sounds, presence, perception, and focused listening. From A Silence Within merges selected field and hydrophone recordings, gleaned from Noss and Noss Sound, and my music. As often happens with sites around Shetland that inspire my work, I am drawn by what I observe and what I listen to around me as I wander through the particular atmospheres of Noss, and the Sound that separates Noss and the island of Bressay. Personally, it’s inevitable that such elements find their way into my music. The minimalistic sound textures that I immerse myself in - from bird calls to sheep and the sea - feed into the creation of From A Silence Within. As I spend more time walking along Noss Sound observing Noss from different viewpoints, the more profound my experience of it becomes. This work expresses an interpretation of such experiences. A sound texture that tickles our memory of time and space, a play on the real and illusionary while engaging with the wonderful richness of Noss and its immediate surroundings. From A Silence Within was released in May 2020 and is available for streaming and download on all digital platforms including Bandcamp , Amazon Music, Apple Music, iTunes and Spotify. In Tune with Nature was judged by a panel of well-known faces from the Scottish music industry, including Julie Fowlis, Vic Galloway, Gill Maxwell and Karine Polwart: "This is great, I love the approach! Lots going on, and a beautiful vibe. Atmospheric soundscapes." "Love the hydrophone sound and watery textures - undeniably of the place." "Minimalist, percussion and ambient, I will be seeking out more of his music. " Project type Digital track Credits Created, recorded and produced by Renzo Spiteri at Orange Dot Studios, Shetland. Total time: 05:07 Cover photo: Renzo Spiteri Acknowledgements From A Silence Within placed in the top three entries in the competition In Tune With Nature: Noss Category , organised by Nature Scot and Fèis Rois as part of the celebrations for Year of Coasts and Waters 2020/2021. Events Track released May 2020.

A series of four audio and video works ​that explore new forms of composition, installation and performance aesthetics as responses to rural environmental atmospheres of Shetland. Sonic Interactions Project Info Sonic Interactions is a series of four audio and video works created in outdoor sites across Shetland that explore new forms of composition, installation and performance aesthetics as responses to rural environmental atmospheres of Shetland. Project type Audio / video work Created by Renzo Spiteri, 2021, Shetland (UK) Acknowledgements Commissioned by Shetland Arts as part of Refresh Now, and supported by Creative Scotland and Shetland Charitable Trust. Locations Launched: online in April 2021. Exhibited: Music and/as Process Conference, University of Glasgow, June 2024. "I feel that it is the distinct atmospheres that some places transmit - the particular scenario of stillness, quietness and the predominance of the natural environment - that resonate with me in a unique manner. The ruggedness, the presence of the sea, the minimal presence of humans and of man-made sounds are attributes and qualities that stimulate my creative processes. I am equally fascinated by the sonic possibilities of found objects and everyday materials that I like to re-image and re-use as creative tools that expand my musical language." Renzo Spiteri Sonic Interactions Loch of Brough Sonic Interactions Loch of Brough Sonic Interactions Wester Ayre Burravoe Sonic Interactions Loch of Brough 1/40 I love the sea. The more time I spend with it, the more I feel the need to engage with it, be with it, live with it. The sea speaks a language that resonates with me in a manner quite hard to articulate. So rather than string words together to express myself, I create work centred around it and around shorelines. Sonic Interactions is a series of four audio and video works, filmed and recorded on Bressay, Shetland and Yell. The works celebrate phenomena that are mundane in nature but which, through emphasis on the detail of materiality and movement, are the agents of complex events. I find a particular fascination in engaging with the visual and sonic possibilities that lie therein, in taking the time to observe the richness in the natural environments that I am surrounded by. The video and field recordings that I glean become my colouring palette, combining found sounds and everyday objects and materials that I like to re-image and re-use. In two of the four works I have also added my interventions on small percussive instruments or found objects, like wire fences, pebbles and metal gates. The experiences that emerge from time spent listening, observing and engaging with my surroundings have a strong influence on how I conceive and design site-responsive works like Sonic Interactions. Such sensorial elements quite often are part and parcel of my work as a live performer, and the particular atmospheres that I seek to generate are part of a journey that I share with audiences wherever and however I present my work. Sonic Interactions #1: Loch of Brough, Bressay In Winter 2020/2021 Shetland experienced a significant amount of snow and ice. For days and days on end, I visited various lochs around Bressay, monitoring the changes in condition of the frozen waters. I waited, knowing that at some point, these solidified water surfaces will start to crack and melt. That’s the moment I wanted to capture on my sound and video recording devices, an event that I had not yet experienced first-hand. On a bitterly cold February afternoon, Loch of Brough turned into a spectacle of movement and sound events and, with camera, microphones and hydrophones, I focused on a particular area of the loch to glean these occurrences. Ice plates moved like a giant muted chime, an instrument of immense proportions excited by strong winds and a-rhythmic waves. The sum of such events was, in my view, so sonically rich that the invitation was to sit back, record and listen. Sonic Interactions: Loch of Brough is a work based on field recordings and video as the result of my personal experience of the contrast between the water’s solidity and stillness while the loch was frozen, and its transitional state to fluidity. Sonic Interactions #2: Burn at Cullingsburgh, Bressay This burn, with its gentle flow of water down trenches, stones, cobbles and pebbles, is the right mood-setter for the rest of the wonderful walk at Voe of Cullingsburgh. This setting inspired me to create Sonic Interactions: Burn at Cullingsburgh that incorporates field recordings, visuals and my own intervention on found materials by striking pebbles, playing fence wire with a double-bass bow and recording a small metal gate which I resampled to create a drone effect for the piece. Sonic Interactions #3: Sumburgh Head I find that there is something quite stimulating and inspiring in the combination of strong winds and the sea, feeling the force of these natural elements while struggling to stand still on one spot. It was the particular orchestration of various aeolian sounds around the lighthouse that I based the sonic texture on, while I was drawn to the constantly shifting patterns of crushing waves and swelling sea contrasting with the immobility of rock and structures. Metal is a predominate exciter of sonic textures in the field recordings I made and to these I added my own on-site interventions of resonating metal gates, Chinese cymbals and long sustaining metal sound discs. Sonic Interactions #4: Wester Ayre, Burravoe, Yell One of the many wonderful things about the creative journey of Sonic Interactions is the balance between planned work and serendipitous encounters. The chance discovery of Wester Ayre at Burravoe offered a plurality of events that contrasted with the stillness of the coastline so close to where I was standing. I often think about how privileged I am to be able to experience places and their sounds through field recording equipment, to be able to listen to, see and share what might not be so easily accessible. Wading around the shingle beach at Wester Ayre as the water from the burn gurgled and gushed down to meet the sea, I listened and looked for different angles, features and sounds that I could capture with the only recording device that I had at hand – my GoPro. All sounds are therefore from the on-board microphone of the camera.

Music performances and interdisciplinary performances by Renzo Spiteri Production & Sound Installations Ambient sound composition, field recordings, sound design & sound installations As a freelance sound recordist, ambient sound composer and sound designer, I have developed my craft over years of experience in the field and have a passion for capturing the essence of environments around the globe. Location sound is my primary focus, and I am available to record sounds that are specific to a production - whether capturing wildlife in their natural habitats or the vibrant pulse of cultural festivities, I strive to convey the true essence of each location with authenticity and depth. My portfolio spans a diverse range of projects, including film soundtracks, nature documentaries, sound installations and immersive audio experiences, in which I have been commissioned as composer, sound recordist, and/or sound designer. Working from my own professionally-equipped studio, I approach each project with a creative vision and can have meaningful and productive conversations with production companies and commissioning agencies to deliver bespoke end-products and rich palettes of audio textures to enhance projects. I have spent several years travelling to diverse landscapes and cultures, meticulously documenting natural and urban soundscapes. As a result I have amassed a vast collection of high-quality audio recordings that span a wide spectrum of environments and atmospheres and that are readily available for purchase. Contact me for kit list and rates. Billy & Molly Film | Sound Recordist Music in Malta: From Prehistory to Vinyl Exhibition | Audio Production & Sound Design Sonic Interactions Audio / Video Works Ħal Saflieni Hypogeum Audioguide | Composition, Audio Production & Sound Design

A participatory arts project that explores familiar spaces, and celebrates and engages with rural and urban environments through sound with the use of audio technology and creative strategies. Drum Circle Workshops Group drumming is quick and easy to learn and no prior musical knowledge is required. It only takes a few minutes for a beginner to join in the fun and become fully immersed in the excitement of connecting and engaging with others and creating music together. Participants listen and respond, and work together in a playful manner so that individual sounds quickly become a harmonious whole. Drum circle workshops are expressive and collaborative sessions which are a truly inclusive community activity that everyone will enjoy while promoting well-being of the individual and engagement within a community. Each session begins by learning the basics of hand drumming, but since the sounds and results are immediate, participants quickly progress and expand their abilities to incorporate different rhythms that fit easily together, converting the group into a small but fantastic drumming ensemble. Drumming is fun and participants don’t have to be musically inclined to make the most of this experience. By learning simple polyrhythmic patterns, participants become fully immersed in the excitement of connecting with others and creating music together, being part of a whole and identifying the importance of each person’s role within the group. Drum circle workshops are held on a regular basis within community settings. All instruments for use during the workshops are provided, and each workshop lasts for about 1.5 hours (with breaks) and cater for 10-12 participants. Get in touch to find out when and where the next session will be held! Get in touch Participant Feedback "Have been to drum circles with Renzo Spiteri. Very fun and exciting. Highly recommended." "Wonderful fun - thank you" "I had a great deal of fun today in this group." "Really enjoyed it." "It was huge fun and looking forward to next week."

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